Wiener Art Foundation
presents
sara glaxia – “black beauty”
TRANSLUCENT
-FILM AS A SOLID OBJECT
HAD SEEN IT ALL
AND I WILL WEAR IT!
a film that had forget to breath,
malevolent american fantasy chases down your very own dream, eating
what is real.
Exhale the mist of petrol upon my broken back… ingenue and naive my dolls are more trustful, motionless and quiet; the elegant tar of
capitalism, is only tragedy what talks to God, my mind… All I hear,
all I see… they decide to put it all on paper… life in consummation,
vanishing thy self fervently inside an outsider’s dream, ripping from
core the essence of life for sale,
raped world, raped God, Jesus was raped but reality looks glammy (when is dressed in black) as the lie, the absence of colour, poison, had seen it many times…
reduce me to a dream, cause the reality is nothing but plastic, black
magic, premeditated order and rhythm of flow, parallel worlds facing
each other, a fiction, a drama; if there is a name for everything,
won’t wait to name it.
I will.
the decadence at the mirror, the opposite direction, image and
persecution, a film; the information and emotions recorded into
billion people’s minds; TEARS, MAGIC, BOMBS OF LOVE, SATISFACTION AND
MASTURBATION; CORRUPTED AND SOLid, sold. AMBITION, PROMOTION, PORNOGRAPHY, CATASTROPHE, CALAMITY, ROMANCE, SOFT GORE, TRANSMUTATION AND APOCALYPSE. BABIES, REVOLUTION AND DEATH MERGE GROTESQUE, COMICAL…
ALL IN ONE, recorded, destroyed and modified hanging of my shoulders.
so LIFE IS A LONG PRIVATE THEATre WHERE ACTORS ARE PERPETUALLY FOOLING
THEM SELFS IN PUBLIC BORINGNESS and absurd scripts, BUT TAHTAAAH , IST
a play, IS NOT REAL.
personal emotions DONT EXIST AND have NEVER MATTER, feelings are
BELONGed TO A PICTURE OR A SOUND, A POEM, A GASP, a memory, or simply
only to the secretions of a own organic body; so RECOLLECT MY FEARS
AND TURN THEM INTO DRINKING WATER, BE MY FILTER, BE MY SCREEN,BE THE
GLASS BETWEEN TWO REALITIES, be THE BLADE THAT SEPARATES THE MIND OF
THE BODY and TOUCH my frenetic MOTION.
sara glaxia 2012
kuratiert von: Stefan Bidner