Augustin Braud / Georg Zichy / Vanessa Mattei Scarpaccini

Augustin Braud
is a composer, musician, and researcher. A permanent musicologist at RicercarLab in Tours (CESR), his practice ranges from written instrumental music to electroacoustic performances such as Trônes Amoncelés, a 36-minute piece recorded at La Muse en Circuit and released on Opal Tapes label in March 2025, inspired by Antonin Artaud’s Les dix-huit secondes.
He is also the winner of the 2020 Claude Arrieu Prize from SACEM, and has collaborated with ensembles such as the Radio France Philharmonic Orchestra, the Ensemble Intercontemporain, and the Klangforum Wien (GOLEM), at festivals such as ECLAT, Gaudeamus, Musica, and Présences.

Georg Zichy
is a sound, clang, rattle, screech and noise artist. In his solo practice, he performs with found objects and electronics: containers, tablets, bins, rods, etc. Acoustically scratched, bowed and hammered, electronically amplified, distorted, and fed back.
Zichy lives and works as a freelance artist and musician in Vienna, moving between noise, free improvisation, and a phenomenology of sounds. 2025 saw the release of Vleisch (Opal Tapes), a duo with Reinhold Friedl and a_kustisches (self-released) in a duo with Fabian Wutti.
https://www.instagram.com/musterkoffer/
https://gzgz.bandcamp.com/

Vanessa Mattei Scarpaccini (Cortona, Italy, 2004)
is a dance artist based in Florence. Since 2025 she has been an associated artist with Sosta Palmizi. Her research has been presented in Stromboli, Milan, Vienna and her projects have also been hosted by TanzTendenz München.
She is co-founder of Atelier Fiume with Virginia Sieni, a collective of under-25 creatives based at Palazzina Indiano Arte in Florence. She is currently working as a dancer with the choreographer Virgilio Sieni and has performed in works by Claudia Catarzi and Natalia Di Cosmo.
She’s part of the improvisation collective FREE FORMS active between Austria and Czech Republic.

Alongside her artistic practice, she studies Philosophy at the University of Florence
Remembrances are retraced through a spatial score from a map by the artist Verena Rendtoff — the road to Berlin, a satellite place where the body arrives after a path of stairs, falls, gravel, memories of bodies.
Who is Berlin?
Throught the Piano Sonata No. 32 in C minor, Op. 111 by Ludwig van Beethoven a desire is expressed.