Online via Zoom
Im Rahmen der Ringvorlesung Best Available Copy 3 – the preservation of time-based media art …again and again and again.
Documentation has become ubiquitous, moving from a way to reflect a past life of an artwork or event, as a copy, a repetition or a derivative, into a practice capable of changing the status of the artwork. In this sense documentation not only future-proofs but also relentlessly (re-)invents and (re-)becomes the artwork.